Featured Columnists

Is Wireless Dead? ~Adam Forgione

Documenting Food & Lifestyle in Mexico ~Darryl Thoms

The Importance of Sound and Where You Get it From ~Mario Feil

The Kid ~Mark Christian

Why I’m an Indie Filmmaker ~Eduard Schneider

Tools of the Trade, Part 1 ~Clinton Harn

A Camera Does Not Define a Cameraman ~Jared Abrams

Sound Perspectives 101 ~ Clinton Harn

The Swiss Army Knife Filmmaker ~Robin Schmidt

Saving Money at Film Festivals ~Joe Swanberg

Clues for Building a Good Armature for a Stop Motion Puppet ~Carlos Lascano

Does Technology Make Us Better Filmmakers? ~Brian Troy

My Favorite Regional American Film Festivals ~Joe Swanberg

Making a Monster: The Importance of Audience Feedback ~Susan Buice

Making the Most of Film Festivals ~Joe Swanberg

The Making of a Short Love Story in Stop Motion ~Carlos Lascano

HDSLR Rig Jigsaw Puzzle ~JJ Kim

Rigging a Sony F3 ~Timur Civan

How Much Would You Pay For It? ~David Wexler

A 5D and a Fast 50 Small Footprint Field Production ~Mick Jones

Editing in Pre-Production ~Mick Jones

Filmmaker Tricks to Get in the Work Mode ~By Susan Buice

Defining the Cinematic Look, Part 2 ~Sara Frances

So You Wanna Be a Filmmaker? Part 2 ~Ron Dawson

Avid Avatarian ~Sara Frances

Defining the Cinematic Look, Part 1 ~Sara Frances

How To Write a Good Story ~Adam Daniel Mezei

So You Wanna Be a Filmmaker? Part 1 ~Ron Dawson

How To Market Your Film The Social Media Way ~Josh Gooden